The Art Of Seduction: How To Attract A Man Without Being Desperate – Author Robert Greene explores the psychology of dating and seduction, including the Machiavellian traits that seduce people no matter who they hurt.
About the Author: Robert Greene is not a flirt and may not have any background in psychology.
However, when it comes to the dynamics of power and attraction, he offers more knowledge and wisdom than most artists or psychologists.
He is one of my favorite authors and his other books are The 48 Laws of Power, The Laws of Human Nature, and The 50 Laws.
In the first part of The Art of Seduction, Robert Green describes the personality types of the most successful seducers.
According to Robert Greene, the siren is the most powerful seducer because it works on the most basic human emotions and works for everyone.
Rake is a great female fantasy character: when he wants a woman, he will do anything for her. Of course, it can be dishonest, but it only adds to the charm.
Rake is a guilty pleasure that offers something society doesn’t allow women: an adventure of pure pleasure with an added danger.
They know what makes you tick, understand your pain and… your weaknesses. Charmers understand you and make you feel better.
Robert Greene is right that some people tend to see Charmers as slippery and sly, and that can get you into trouble.
It comes from an inner quality that sets you apart from others. It can be self-confidence, sexual energy, a sense of purpose or satisfaction.
You create a fantasy that optimizes your image. If your mistake gets in the way, you will destroy that fantasy.
The sexes tend to be rifts and do not understand each other. Dandy has similar characteristics, being soothing and comfortable.
The key is duality: you are straight, but you swing back and forth between two extremes.
One of the differences between the libertine and the libertine is that the libertine’s conceit is related to the conquest of women, while the dandy’s conceit is directed at society and convention: it is not the woman he is trying to conquer, but the entire social world.
Glamor Art nails it by saying that the terrace is likely to be accused of being too masculine for women or too feminine for men.
The main thing is to imbue the game with the child’s beliefs and feelings and make it seem natural. The more you feel absorbed in your blissful world, the more attractive you become.
The whole childishness can be exhausting, so the best Naturals combine qualities like adult experience and wisdom with a childlike attitude.
The true nature of coquettes is to emotionally trap people. The secret to flirting is not so much prodding and seduction, but the secret weapon of flirting is letting go of emotions.
Love can easily turn to hate, so flirts play on volatile emotions. His absence cannot be too long, anger must be followed by a smile, because the negatives cannot outweigh the positives for too long.
There is a danger that people will tire of your illusions and move on to the next rising star.
Your victims live in their own world, their minds are filled with daily life and daily worries.
The perfect victim is someone who provokes you in an inexplicable way. There should be some tension, the victim may fear or even dislike you. You
If you can convince your target audience in the early stages that they are making the first move, you have won the game.
Whatever steps you take to bring them closer to you, avoid setting goals: too much focus at the beginning will create uncertainty and leave no room for imagination.
The art of seduction says that the best way to receive mixed signals is to display traits that contradict your physical appearance.
The art of seduction says that you want your target to see you the way someone else does. They may lose out to other fans.
It doesn’t have to be a specific conquest, but it can be a large number of admirers or even previous conquests.
The Art of Making reminds us that it’s hard to fool a perfectly happy and contented person. Therefore, you must create tension and cohesion in the mind of your target.
Greene says that being attractive at first is better than making people feel bad (so skip the old-fashioned PUA denial).
A useful skill in the art of seduction is the art of cueing: a subtle, socially savvy way to make your target feel unsatisfied.
Understand them, vibrate with them, like what they like, adapt to their moods. It reflects not only who they are, but the ideal person they want to be.
Hold the mirror up too long and they will see it and reject it. Mirrors are tactics, once they enter your world, your charm moves.
Your victims are already interested in you, and your goal at this stage is to completely hook them and reach the point of no return.
The Art of Persuasion explains that surprises work because defenses are lowered and new emotions are unleashed.
Take them to exciting places and make them feel spontaneous and natural. OR Popping in front of their eyes is a great tactic, especially if they already like you.
Use busy, nice, and flattering words. Make them feel better, get their fantasy going, make them promise. They will not only listen, but also fall in love with you.
Excessively flowery language is a sign of pretentiousness and selfishness. Less is more: something vague and ambiguous leaves more room for imagination.
Pay attention to your “top coat” of beauty. Remember their details and give them a gift that means a lot.
And think about everything about yourself: your appearance, the way you walk, your movements, your posture.
Most people try to hide our flaws, but the natural aspects of our personality are also attractive. What you can’t control can be your most attractive quality.
Admit something bad about yourself that you did or did. Honesty will cover many tricks (this is the 48th law of power).
Some disadvantages, such as necessity, have no attractive value. And timing is everything: share it only when she’s already in love with you.
The best illusions are the ones that don’t stray too far from reality. A bit like a sleepy dream.
Isolate them psychologically by making them think of you and physically by taking them away from familiar things.
Make your target person feel like they’re on a great adventure with you, but they’re also missing something, like the past or a comfortable life.
The goal of Phase III of The Art of Attraction is to take things deeper. Once your hooks are deep inside, you can move until they break.
I’m glad Robert Greene said that you need to show your goals: Increase your self-esteem and hide your flaws (read: How to mutually expand high-quality men).
Ask about his childhood. Take the therapist’s position as you speak. Be attentive, but quiet, and offer non-judgmental comments to keep them talking.
Don’t just talk, you want people to act out their current memories. Make your target feel like they’re always getting what they’ve lost with you.
We all like to explore our dark side, so make sure your target audience feels like they’re crossing those boundaries with you and heading into uncharted territory.
We all have insecurities about our appearance, and if we focus only on our bodies, we risk making our goals uncertain and uncertain.
Many of us have masochistic urges without realizing it, says The Art of Attraction. When someone hurts us, deep-seated feelings come to the fore.
Now it’s time to tempt the body. By now, your victims should be weak and ripe with desire.
Once they get under your spell, step back to give them a chance to chase after you. Distance, no show, boring feeling.
Don’t make it obvious, let them feel it and let their imaginations do the rest. Soon they will want to possess you physically.
Don’t overdo it: strategy is a give and take, and if you spend too much time, you’ll miss the point.
Your cool, calm air calms your target’s mind and lowers inhibitions, while your appearance, voice, and posture raise the temperature.
To achieve this, everything starts with you. Educate yourself to let go of your inhibitions, doubts, and anxieties.
Some women can get upset if their man never moves after being around for a long time.
Don’t give them time to think about what’s going to happen or the consequences. A bold move would be a great release, fueling Cretan conflict and tension.
If you feel confused and uncomfortable, it means that you are thinking about yourself. Overwhelm yourself with the attractiveness of the target.
Boldness can work wonders, but unchecked boldness is more frightening than charming. So you need to be able to turn it on and off as needed.
Too much secrecy, reality and routing issues may come into play
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